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| I may not be able to get to England to see the play, but my book is from England and that helps! A special thank you to my best friend, Erika, for this lovely gift ♥ |
Harry Potter and the Cursed Child, a new play by Jack Thorne based on an original new story by JK Rowling, John Tiffany and Jack Thorne, starts with the epilogue of Harry Potter and the Deathly Hallows – Harry, Ginny, Ron and Hermione sending their own children off to Hogwarts.
*Spoilers ahead*
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| The Potters and the Granger-Weasleys at Platform 9 3/4 |
Harry’s youngest son, Albus
Severus, is headed to Hogwarts for his first year and he is afraid of being
sorted into Slytherin House. As in Deathly Hallows’ epilogue, Harry assures
his son that the bravest man he had ever met was from Slytherin House, and that
Albus Severus carries his name. That is
where the final novel left us, with Harry assuring his son that it would not
matter if he was sorted into Slytherin – a good thing as this is indeed what
happens. Harry’s oldest son James, and
later his daughter Lily, as well as Ron and Hermione’s children Hugo and Rose
are all sorted into Gryffindor House, but Albus finds himself sorted into
Slytherin.
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| Rose Granger-Weasley is sorted into Gryffindor |
Albus also has great
difficulty mastering spells in school and is soon dubbed “The Slytherin Squib”. This, and the constant comparisons to his
famous father, leads to a lot of doubt and confusion for young Albus who
becomes a distant, troubled young man.
Shunned even by Rose Granger-Weasley, once his best friend, he finds an
unexpected friend and ally in fellow Slytherin, Scorpius Malfoy, the son of
Draco Malfoy. Scorpius is also an
outcast as he is the son of a former Death Eater, and a very dark rumour hangs
over his head – the rumour that Draco and Astoria could not conceive children
and that they used a time-turner to go back in time and conceive Lord
Voldemort’s child! At first this rumour
is merely that as all time-turners were believed to have been destroyed during
the battle at the Ministry of Magic. Harry, now an overworked Head of Magical Law
Enforcement at the Ministry of Magic, discovers that this is not the case as he
retrieves several illegal magical devices during a raid – including a time
turner.
Albus and Harry have a very strained relationship which becomes only more strained as the years pass. Albus, mistakenly believing that Harry does not care at all for the blood spilt in his name, takes it upon his own inexperienced shoulders to right at least one wrong - Albus decides to break into the Ministry of Magic, steal the time-turner now in Hermione's possession, return to the Tri-Wizard Tournament and prevent Cedrick Diggory's death. Yeah... going back in time to alter events... what could possibly go wrong?
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| Harry Potter consults the portrait of Professor Dumbledore |
Harry Potter and the
Cursed Child follows Albus Potter and
Scorpius Malfoy as they navigate past and present, creating more wrongs than
they fix as they tamper with the past and the butterfly effect changes
everything in their present. As Albus and Scorpius create all kinds of trouble messing with the past, Harry starts having very disturbing nightmares about his troubled son and his scar starts to hurt for the first time since Voldemort's death - could it mean what we all fear it means?
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| Ginny and Harry discuss his escalating nightmares and his hurting scar |
I would
have appreciated more time with our core trio, but this time around they are
more supporting characters as the story focuses on Albus. My favourite character is Scorpius Malfoy,
much to my surprise! I found him to be
very complex and incredibly funny – I actually think, given the chance, he
would have gotten along famously with the Weasley twins (oh, Fred). The plot is very well written and keeps you
on the edge of your seat. After so many
years away, it is great fun visiting Hogwarts again and catching up with
beloved characters.
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| An important announcement is made at the Ministry of Magic |
Harry Potter and the Cursed
Child is, of course, released not
in the form of a novel but as the script of the play. It obviously reads very differently than the
Potter novels, but it is quite easy to get into. My only criticism would be that as reader I
am not quite as immersed in the Potter universe as I am when reading the novels
which have much greater, vivid descriptions – but as this is essentially a play
meant to be seen more than a script meant to be read, this is not a fair
criticism at the end of the day. I am,
however, not London-based and doubt very much that I will ever get to see the play
performed in Pretoria, South Africa, so settle for the script I must – at least
until a film version I desperately yearn for.
This story would make an excellent movie, though given the complexity of
the plot and elements of time travel, a film version seems highly unlikely. I also very much doubt that Daniel Radcliffe,
Emma Watson and Rupert Grint could be persuaded to return for another Potter
movie, but I think audiences would forgive a change in casting since their
characters are 19-22 years older than during the events of the Battle of Hogwarts. I, for one, would forgive a change of casting
if it meant I got to see this story play out on the silver screen... however, nobody – and I mean nobody – could
replace Alan Rickman as Professor Snape…
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| The original stage production cast |
